yamaha ysl 691 review | Christian Lindberg’s Trombone Choice: A Full Guide

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The Yamaha YSL-691 occupies a fascinating space in the trombone world. It's not a flagship model, nor is it an entry-level student horn. Instead, it sits comfortably in the mid-range, offering a compelling blend of playability, build quality, and affordability that has made it a popular choice for many players over the years. This review will delve into the strengths and weaknesses of the YSL-691, drawing upon personal experience, online discussions from communities like r/Trombone, and broader considerations of Yamaha's trombone lineage and the preferences of renowned players like Don Lusher and Christian Lindberg.

My own experience with the YSL-691 was positive. I played one for a considerable period before upgrading to a different Yamaha model, specifically a .500 bore instrument. This transition highlighted both the strengths and limitations of the 691. The 691, with its .547" bore, offers a warm, rich tone, particularly well-suited to jazz and classical styles requiring a full, resonant sound. However, the slightly larger bore size compared to the .500" bore of my subsequent instrument meant a slightly less agile response in faster passages. This wasn't necessarily a fault of the 691, but rather a characteristic of its bore size. This highlights a crucial point: the ideal trombone is highly dependent on the individual player's style, technique, and musical preferences.

The YSL-691's build quality is undeniably excellent. Yamaha's reputation for precision engineering and consistent quality is well-deserved. The 691 reflects this commitment. The valves operate smoothly, the slides move freely, and the overall construction feels robust and reliable. This is a horn built to last, capable of withstanding the rigors of regular playing and travel. This durability is a significant factor for many players, especially students and those who frequently transport their instruments.

But what about the often-discussed "bland" sound of Yamaha trombones? This is a recurring theme in online discussions, such as the Reddit thread "Yamaha trombones sound ‘bland’? : r/Trombone". While some players find Yamaha trombones lacking a certain character or personality, this perception often seems to stem from a comparison to horns with more distinctive tonal qualities, often those from smaller, artisan manufacturers. The YSL-691, while possessing a rich, full tone, doesn't possess the intensely bright, cutting edge of some other brands, nor the overtly dark, mellow sound of others. This is not necessarily a negative; it reflects a more neutral tonal characteristic that allows the player's embouchure and style to shape the sound more directly. This neutrality can be a significant advantage for players who prioritize versatility and the ability to adapt their sound to different musical contexts.

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